Friday, May 1, 2020

More Repetition...

Here's another example of repetition as a design foundation, a tree.  Still using the same tips of a simple wood-burning tool purchased at a big box store, this is what was produced.








Using the chisel tip, a long line was burned on the surface of this piece of gourd scrap. A line next to the first one, and then one next to that one. They are not measured, or equally spaced.  Some extended out like fingers, some longer than others. There are more lines at the bottom than at the top - in fact, the upper lines have very few side-by-side line sets. Most of the repetition happens toward the bottom.

The tip was changed to the leaf-shaped one and those marks became the repetitive burns. Over and over before using markers to color in the shapes (more than one version of a color for variation).


The spray-on seal adds the gloss.

Monday, April 27, 2020

Repetition can be a foundation...

We're back in the saddle, gourd-wise that is!  Let's talk about techniques. There are a lot of ways to decorate a gourd, to paint a gourd, to put a rim on a cut edge, but are the thought processes before putting pen, wood burner, or paintbrush tip to the surface to do the decorating?  What is the mindset leading to an image?

One way to approach the plan is through repetition. By repeating an action, over and over, a broad overall pattern emerges.  Time passes and the focus allows the mind to wander in a controlled way. For example (let's do one here, and post other examples in the days to come), use one part of the wood burner, in this case, the butt end without a tip screwed into place.

Once the tool was hot, it was randomly placed on the backside of a small bowl-shaped gourd. Over and over it made marks on the gourd until time passed and the overall pattern began to look like a turtle shell!  The burning continued until the whole surface was covered. Two colors of green Sharpies scratched in some color areas and rubbing alcohol was dabbed on with a Q-Tip to blur the greens together (the alcohol makes the marker ink bleed and blur).  Once dry the shell was sprayed with a gloss sealer.


All this from one burn mark - repeated over and over.  Adding holes around the edge gives the artist space to sew a rim before adding legs. Cutting and sanding for the neck led to another idea for adding a bobbing head.

AND, none of this was in the plan when the first mark was made!  That's the beauty of repetition. Start with a mark and keep going until the pattern itself presents the plan.  It takes time, and trust, and the willingness to not be in control.




A lesson for life perhaps?






Monday, March 2, 2020

Painting Gourds, But in Another Way!

Sheldon Taplet - check this fellow out! An interesting bit of art news for you to check out – Sheldon Tapley. This sill life painter includes gourds as part of his still-life work. This one, Dance, is just one example of how he incorporates gourds into art. When you visit his website you are met with Two Gourds, but continue to the still life pages and see all the ways he paints canvasses with images of gourds. Gourds as objects of beauty! https://www.sheldontapley.com/still-life


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Dance by Sheldon Tapley